In the North Carolina section, Cora’s alone in an attic for like, 70 pages, and in the novel, you can have her have conversations, look out a little peephole, and you can expand the space. No-the few conversations we had about Barry’s proposals about characters they would add or compress made sense to me. I assumed with 10 episodes, there was enough room to get all the big things in.ĬW: I don’t know! I was busy thinking about my depression.ĬW: I had a lot on my mind. So the only way you could control it would be to write it, direct it and produce it yourself.ĬW: It never occurred to me that they would change things terribly. It is true that if you try to control these things, it’s not going to work, because no film or television person in their right mind would give you any sort of a veto. For instance, I said, It is forbidden for you to kill Aunt Lydia, and they said, Well, we weren’t going to anyway. I like to think I might have some influence. With the additional seasons for Handmaid’s, what was your process of letting go and letting their vision take over? I hope it’s gonna go well because it’s Barry, but if it doesn’t, it’s separate. CW: In handing it over to Barry, I felt like the book is the book, and the TV show is a TV show.
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